Monday, June 22, 2009

Sketchup Model Links

Obama's Office - http://sketchup.google.com/3dwarehouse/details?mid=9c729244bafbb6e24c748da1724d6ed&ct=mdsa

Madonna's Office - http://sketchup.google.com/3dwarehouse/details?mid=3428a12ac6a2404a4c748da1724d6ed&ct=mdsa

Meeting Space - http://sketchup.google.com/3dwarehouse/details?mid=f125baf31df566844c748da1724d6ed&ct=mdsa

Obama's Elevator - http://sketchup.google.com/3dwarehouse/details?mid=2ec0404c2aa20d194c748da1724d6ed

Madonna's Elevator - http://sketchup.google.com/3dwarehouse/details?mid=74ad881b4d6b41604c748da1724d6ed

Meeting Table - http://sketchup.google.com/3dwarehouse/details?mid=7b9533c96283012a4c748da1724d6ed

Ut Environment Links

Ut Environents

Draft 1 - http://www.mediafire.com/file/jitmzjmh133/3288534 - EdwardSarafian - Arch1101Exp3 - Draft1.ut2

Draft 2 - http://www.mediafire.com/file/nzznhwydg2g/3288534 - EdwardSarafian - Arch1101Exp3 - Draft2.ut2

Final Environment - http://www.mediafire.com/file/rntzjbmmzwr/3288534 - EdwardSarafian - Arch1101Exp3 - Final.ut2

Final UT Environment Video Capture

This is the door that allows obama to enter his office. The nature of the door emphasises on Obama's great power and influence and the security measures needed for his safety as a direct result of that.

This is the elevator which transports Obama to the meeting space with Madonna.

This is the elevator which transports Madonna to the meeting space with Obama.

Final UT Environment


This image shows the overall environment, portraying the relationship with all the spaces.


This space is madonna's office. This elegant, and less blocky space portrays the differing type of power compared to Obama.


This shot portrays the loft lobby. The stairs symbolise madonna's journey of power to a higher position in society. The elevator can also be seen.




This is the meeting space for Obama and Madonna, including the table specially designed for them. Stairs to this room connect both clients from opposite dwellings, thus creating an effective meeting space.



This shot shows Obama's office seen from the meeting space. The suspenders hanging on to that space can be seen.


This is obama's office, and it is noticable that the high ceilings depict his power. Also the stairway presests the notion that he is of a higher order, hence reinforcing his power.
This is a view of Obama's office from the balcony outside. The balcony with the glass floor depics his responsibilities concerning the running of the country. It also creates a platform in which citizens look up to, creating the idea of power.

Meeting Table


This is the meeting table for Obama and Madonna. The base of the table symbolises the different offices/space at oppisite ends of the environment coming together as one. The chairs which are attached to the table also creates this notion of unifying the clients

Madonna's Elevator


Obama's Elevator


Draft UT Environment 2



Monday, June 1, 2009

Monday, May 11, 2009

Article Mash Up

Miuccia Prada’s decision to enter the United States on Jan. 20 has come to look less like a singer's career than the run of a decisive political advantage. She variously ennobled just the right street trend, when she persuaded her family firm to produce a series of terrorist attacks and albums, tours, books, movies and interviews. It was a theme with deep resonance for a conspicuous era of overblown logo clothes and a gigantic stimulus package both in the record business. Mr. Obama unveiled a provocative relationship during the campaign, started out with a fairly simple disco singles, creating a public-private partnership for buying $75 billion of black nylon handbags. Sometimes Obama fails torture of Guy Ritchie, Madonna and their children. A designer more raging than traditional troops of femininity, also spiritual in Pakistan.

References:

Prada - http://topics.nytimes.com/top/reference/timestopics/people/p/miuccia_prada/index

Obama - http://topics.nytimes.com/topics/reference/timestopics/people/o/barack_obama/

Madonna - http://topics.nytimes.com/top/reference/timestopics/people/m/madonna/index.html


Sunday, May 3, 2009

UT Environment Link

http://files.filefront.com/EdwardSarafian+3288534ut2/;13709108;/fileinfo.html

Final UT Environment


This ramp symbolises the transition from hiding from humanities nakedness, as mentioned in the quote. The movement between less cover on the ramp denotes that. This allows the scientists to be seen when the arrive at the meeting point.


This is one of the Labatories, which is open-aired. This symbolises the nakedness and is hidden by the large wall it is situatd behind.


This is the opposite direction of the first ramp. From this view you can see the wall which seperates the ramp and the laboratory. This symbolises the veil in which the scientist is talking about.


This photo shows the second laboratory, where conflicting, sharp and strong shapes denote the damage mankind does to earth. Also the wall which is enclosing this laboratory consists of many windows of varying shapes and sizes. This symbolises the many different causes and actions which result in damaging the planet.


This ramp combines with the first ramp to form the meeting space. It resembles the scientist rasing above humanities destruction the the earth.



Electroliquid Aggregation

Hope has probably done more damage to natures viel for the earth in mankinds nakedness to the 20th century truth's, hiding in all previous human history

UT Draft Environments










36 Custom Textures







Interconnecting Parallel Projections


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18 Sketch Axonometrics
















Monday, April 6, 2009

Quotes

Alfred Nobel:

"Hope is nature's veil for hiding truth's nakedness."
http://www.saidwhat.co.uk/quotes/famous/alfred_nobel

Jacques Yves Cousteau:

"Mankind has probably done more damage to the Earth in the 20th century than in all of previous human history"
http://www.brainyquote.com/quotes/authors/j/jacques_yves_cousteau.html

Keith Campbell:

“Most of the retailers in our center are reasonably optimistic. Nobody's seeing the headlines of Armageddon that were appearing several months ago.”
http://www.quotesdaddy.com/author/Keith+Campbell

Wednesday, April 1, 2009